Sunday, March 29, 2020

Research Paper on Non-Western Art Essay Example

Research Paper on Non-Western Art Essay Introduction Boundaries are swept away in the modern world, which slowly turns into a global village. People of art, who have always been lucky to live without boundaries inside of them can now enjoy the freedom of physical world. Such major changes on the word scene of art give a lot of opportunities for the non-western artists. Race, origin, color of the skin, age, sex and nationality of an artist plays no role any more. â€Å"A local hero bids his motherland farewell, is tapped into the latest communication technology, raises his voice loud enough and suddenly he is a world artist. The artist as nomad, someone who picks up ideas just as easily in New York and Cape Town as in Sao Paolo or Stockholmâ€Å" (Mackay). Unfortunately, such a freedom and new opportunities very often turn to be a fake and artists from non-western countries still have to put enormous efforts to get the recognition on the world art scene. Europe and North America put their hard requirements to the non-western artists, who want to present their art works in these countries. Here the artists face a difficult problem, which becomes a dilemma. It’s a conflict between their own identity and paying the tribute to the western world and globalization. Unique works of art do not pass sharp critics of western specialists and The Influence of Globalization on the Modern Art Globalization is the process that we can’t stop today; it’s rapidly spreading around the world. The phenomenon of globalization has both negative and positive sides and we can’t say exactly if it is good or bad. Just a few years ago we knew practically nothing about numerous artists from Africa or Asia nowadays we have a possibility to see their works of art and enjoy them. There works are really great and full of feelings and we can realize that just because we live in the epoch of globalization and the exchange of global information is a usual thing for us. We will write a custom essay sample on Research Paper on Non-Western Art specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Research Paper on Non-Western Art specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Research Paper on Non-Western Art specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The process of globalization is the modern phenomenon but its appearance is determined by a lot of historical phenomena, such economical growth, urbanization, appearance of informational technologies, changes in the process of thinking and so on. â€Å"We are witness not to a new phenomenon called Globalization, but to the triumph of old, global power relations: Francis Fukuyama’s end of history, coupled with the illusion of a new, porous metropolis† (Mackay). Western countries still know not very much about African and Asian artists who created their works in the year 1945 and earlier. A western person still can name minute amount of non-western artists even in the era of globalization. The majority of non-western artists that live and work in the West still don’t have equal rights with native artists. Those, who work in their native countries, find themselves even in more difficult situation. Even such talented artists as Ofili and Shonibare are considered as rather successful artists but all in all outsiders because of their color. These artists, by the way, are British according to their origin. We can easily remark that even the remotest connection to Africa or Asia make the talented artists outsiders in the West. Non-western artists don’t have equal opportunities in the West, Globalization creates differences when, in fact, there is no difference. That is the bad side of this phenomenon. Non-western artists have to adopt to western way of life, norms and regulations in order to create works of art, which would be understood by western audience. They have to balance between the effort to keep national identity and reflect their origin in their work s with the growing pressure created by the globalization and unification. Nowadays it’s correctly to speak separately about African or Asian arts as we always used to do regarding the European one. We should analyze art not taking into account its continental belonging. Work of art is a masterpiece, art isn’t a characteristic of a given country, it’s global notion without boundaries and limitations. At the same time every work of art shows the peculiarities of its countries and reflects national identity, same as the individual features, added by the author. These peculiarities show the national identity and beauty of the work rather than put the pictures in a range according to the country they were created in. â€Å"Much as one is involved in this seemingly inescapable labyrinth of a discourse, one is nevertheless certain that we would all benefit more were everything to devolve to the level of the artist and what it is they are contending with in their work irrespective of where their parents were born.† (Araeen) Today the qu estion of origin is a very important one because some people attack some artists who show their origin in the works and another group of people contends with artists who don’t because they are a herd. Here arises a question: is it necessary to show their identity for non-western artists or is it better to adapt to the so-called â€Å"western standards† and so come to the Western scene? It’s a very complex question and we can not give an exact answer. The only thing I’m absolutely sure in is that non-western artists have their own original world that is mysterious and not always understandable for Europeans and the world must be seen it in the works of art. Nowadays there is a trend in the West to consider African and Asian arts as just ethnic and that’s why they can’t take the same place as western ones till they don’t follow the formed standards. Such point of view is anesthetic, as non-western arts are as important and significant as the western ones. â€Å"Anesthetic† is â€Å"a loaded word that speaks to the variegated, multi-layered rules of the culture game, a great pun because the search for identity or the mark of ethnicity becomes an esthetic that inoculates–anaesthetizes–the art establishment in the West from dealing with those non-Western artists whose work would stand the rigors of the mainstream aesthetic.† (Araeen, 20) Non-Western Art and Globalization So-called western standard system of arts now tries to create principles according to which this or that art would be accepted in this system and it’s a real problem of standardization nowadays. Every work of art is unique, no standards can limit it. A work expresses inner world of an artist and it’s impossible to prescribe inner ideas and thoughts of the creator. It’s a real problem for the non-western artist to save his identity in the modern world of standards. From the other side non-western artists have to use ethnical marks in their works in order to correspond the requirements of the western audience and meet the requirement of â€Å"otherness†, showing the kind of art, which can’t be created by westerners. There is nothing wrong with the demand for ethical features in the works of artists. The problem arises when this demand becomes a â€Å"must† and the only pass for the non-western artists. Identity can be expressed in many ways, but Western audience perceive it only on the most primitive level and such an attitude can become a burden for the artists. SO-called western tradition dominates in the world art even in the age of globalization. In reality the term globalization in art stands very close to westernalization and non-western artists have to make a difficult choice if they want to enter the world market and compete with Western artists. They have to choose between the loosing identity by adopting western standards in art and getting the status of second class or arte povera artists, if they refuse. Digital revolution has changed the face of the world forever. The countries of the third world, separated by distance and informational barriers before can now make the decent part of the world community. New means of communication allow quick interaction among the people from different parts of the world and this gives an opportunity for changes in art. Hopefully, very soon not only western people will be defining the criteria of the world art and norms of generally accepted works. If the tendency to globalization develops and becomes more correspondent to its original meaning in contrast to adopting everything to western norms, non-western artists will have more chances for expressing their identities not like an exaggerated ethnic elements, which make the products more sellable, but will let them to express the depth of their national consciousness. Unfortunately, it’s not people, who make a demand for the works of art nowadays. The market does. The meaning and values of the artwork lies in its uniqueness and singularity, not generality. But the market pushes artists to generality, creating filters for the works, which will be sold. The public is deceived by the works with â€Å"false identity† and adopts false standards. As David Byrne states, â€Å"In my experience, the use of the term world music is a way of dismissing artists or their music as irrelevant to one’s own life. It’s a way of relegating this â€Å"thing† into the realm of something exotic and therefore cute, weird but safe, because exotica is beautiful but irrelevant†. (Byrne, 1999) The term popular art perfectly reflects the state of events in the modern world. There is nothing ban when an art becomes popular and reachable for the wide public. The problem arises when the world popular becomes synonym for low-quality and primitive entertainment. Art, which made people think and feel differently during the centuries uses its unique meaning at the age of globalization. â€Å"The artist is the one in charge of pulling the heavy human chariot forward and up†¦ if art runs away from its task, this void cannot be filled. For no other power can replace art†. (Kandinsky) During the centuries the function of art was to elevate people to its level but nowadays we can see a sad tendency when the art descends to the level of average people. And it’s a sad truth modern artists have to deal with. Western culture presents the pattern of success and prosperity and non-western people try to follow it. Same happens with the artists. Many non-western artists try to follow the success of their western comrades and forget about their origins and follow the patters alien to them. Homi Bhabba uses the term â€Å"the third space† when talking about the new generation of Chinese artists. To his mind, they represent a unique combination of the carriers of national culture who meet the requirement of the western world at the same time. These artists don’t belong to western tradition, same as they don’t belong to traditional Chinese art. They managed to find a fragile balance between their national identity as they put all their knowledge of history and tradition in what they do, with the new challenges created by globalization. â€Å"The third space is replacing a concept of identity based on the traditional opposition between East and West. The invention of the notion of the third space itself is a cultural strategy. In general, western artists don’t see art activities as a kind of strategy related to the question of cultural identity, while nonwestern artists living in the West necessarily face the challenge of seeking their own plac es there.† (Hanru, Minglu,1991) A lot of critiques and specialists also speak about the same notion, using different names for it. Fumio Nanjo speaks about the third way Japanese and other non-western artists should follow. Two roads mentioned earlier refer to canonical western art and national art reserved in old traditions. He suggests that: â€Å"Japanese, and non-Western artists in general, therefore have to avoid both roads, which becomes a vital issue for an artist’s identity. I believe that for some years now, we have been progressing in the direction where the identity of an artist no longer refers specifically to his or her nationality, and a future is upon us when an artist’s personality and work will be difficult to define.† (Nanjo) Conclusion So, non-western artists have to deal with a serious task – they have to join incompatible things and they find different ways to do that. There are artists who use their background and national identity as the source of inspiration, expressing it in a way, understandable for Western audience. There is another group who use their national belonging as an object of speculation, using national peculiarities in their works as the way to attract admirers of everything exotic.

Saturday, March 7, 2020

The Sports Card And Memorabilia Market Essays - Trading Cards

The Sports Card And Memorabilia Market Essays - Trading Cards The sports card and memorabilia market The sports card and memorabilia market is as lucrative as ever in our culture today. The number of sports card and memorabilia stores, however, has never recovered since the backlash of the late 1980?s and early 1990?s. My business plan is to open ED?S SPORTS CARD The store-front will cost $400 per month. The sports card market has a year-round appeal but also has fluctuations by month. The height of business is found in November and December (holiday time) as well as in March and April (when the baseball season gets underway). An advantage to this business is the extremely low amount of advertising money needed. By accessing the Internet (through a $2500 computer and $20 per month America OnLine service), a card and memorabilia store can have virtually all the advertising they can put on-line at no extra cost. A webpage (through a provider like GeoCities or Angelfire) is free and posting in Usenet groups or on AOL?s "Card Collector?s Corner" is also free. All you have to pay is the monthly service charge. An advantage of using the Internet for this business is the profit margin. It is not uncommon to find cards on the Internet selling for 10% to 40% of it?s actual value (i.e. a $100 card can be found for $10 to $40), or "pre-order" buys on upcoming products to be way below the market price (i.e. a $67 pre-order on a box that will sell for $110 wholesale). This enables the business owner to turn over inventory at a price that the consumer finds reasonable (under it?s "value") and the businessman finds profitable. Start-up costs are pretty low for this business also. I figured that I can start a business for under $8,000 and maintain it for about $1,500 a month. This includes showcases, the previously mentioned computer, inventory, rent, advertising, supplies, and utilities. The average daily expense for maintaining the store is under $50 a day. What I have not figured into the amount to start-up this business is a sign outside the store. Many baseball card shop owners have told me that their sign was free! This was done by contacting one of the major card companies (Topps, Fleer, Upper Deck, or Pinnacle) and placing their corporate logo on the sign. I have been ivolved in this industry as a collector since 1985. I have been a part-time dealer since 1995. An average month as a part-time dealer (8 card shows and on-line transactions throughout the month), results in about $2,000 worth of sales and $420 worth of expenses (8 card shows times $50 per show, plus $20 for America OnLine). If my store doubled this pace (which would be still be slow for a full-time card store), it would take a little over four months to break even and it would make over $23,000 in profit in it?s first year. The chart attached shows how this was figured. This business may not seem very profitable according to the figures I have provided, but these are low-end estimates. Many companies like L.J. Sands, Co. provide baseball card portfolios (like stock portfolios) for high-dollar investors. This involves finding cards of Hall of Fame caliber players that are undervalued and waiting for them to rise in value. A good example of this today is Ken Griffey Jr of the Seattle Mariners. His rookie card (1989 Upper Deck, card number 1) is valued at $70.00, in the past four years it has never been valued under $65.00, but as of April 25th he has 13 homeruns and is on pace to break Roger Maris? single-season record (61 in 1961). If this happens, the Griffey Jr card will soar to a new value. This will not be unprecedented. When Jose Canseco became the first player to hit 40 homeruns and steal 40 stolen bases in one season, his 1986 Donruss rookie card soared from $7 to $150, currently the card is available at $12. Two years ago, whe! n Cal Ripken Jr broke Lou Gehrig?s "Ironman" streak of 2,130 consecutive games his rookie card (1982 Topps Traded) went from $150 to $300.

Wednesday, February 19, 2020

Learning and development Essay Example | Topics and Well Written Essays - 3000 words

Learning and development - Essay Example Hence, it is of utmost significance for organizations in present times, to plan strategies for predicting such unforeseen situations and devise appropriate policies and frameworks to keep them at bay. One of the greatest challenges in this highly competitive global village is the management of knowledge. In order to implement effective policies for dealing with organizational pressures in this rapidly changing corporate world, it is essential for the management to educate their employees and equip them with adequate information so as to make them capable enough to take informed decisions which are in favor of the organization. "Learning Organizations" is an emerging concept in the field of knowledge management whereby organizations strive to enhance the employee skills by adopting a systematic approach to training and development which involves integration of theories, innovative practices and systematic assessments with a goal of knowledge enhancement for the benefit of the organization as a whole. This paper seeks to analyze, understand and discuss the importance and relevance of a systematic approach to learning and development in organizations and establish a link between theories and practice. It also strives to review the theoretical frameworks gathered from academic literature and observations made through empirical findings with a view to study organizational performance against the backdrop of implementation of systematic learning practices. Knowledge and learning are rapidly emerging as critical elements of organizational development. Several studies have focused on this aspect as a tool of improving organizational performance whereby the efficiency and ability of such an approach in enhancing organizational growth have been widely debated from different contexts. Adopting a systematic approach to learning and development in organizations implies challenging the predominantly bureaucratic epitome which has over ruled the

Tuesday, February 4, 2020

Lee Cantor's Assertive Discipline Essay Example | Topics and Well Written Essays - 1750 words

Lee Cantor's Assertive Discipline - Essay Example behavioral modification plans and offers a systematic approach to the reinforcement of appropriate student behavior, encouraging teachers to â€Å"catch the student being good† and implement a detailed systematic plan for the use of mild punishers for wrong behaviors (Canter 1989). The system was designed in response to the widespread need for greater classroom management skills. By 1991 about 750,000 teachers had been trained to use Assertive Discipline. However, the popularity of the discipline was mostly built on good marketing rather than on profound research. This fact has been repeatedly underlined by the scholars, who argued that Assertive Discipline and its impact on students should be examined on a wider territory and a variety of settings in a longitudinal study. Though the discipline has received many appraise, it has also met much critical argumentation about the appropriateness of the operant procedures in the modern humanistic education system. However, as Evans et al. suggested, strong criticism was mostly the result of a long-lasting argument between humanism and behaviorism and this argumentation can go forever (p.13). This paper examines researches having been done on Assertive Discipline. We will see where the program has been implemented and whether it has been effective in a variety of settings. Assertive discipline got much praise. Lee Canter (1989) enumerates the dissertations, master’s theses and research projects dealing with Assertive Discipline. The results revealed that teachers dramatically improved student behavior when they used Assertive Discipline approach. Assertive Discipline helps to reduce the frequency of disruptive behavior in the classroom, greatly reduce the number of students referred to administrators, increase students’ time-on task. The teachers implementing Assertive Discipline were evaluated as more effective in classroom management. Research carried out in school districts in Oregon, California, Ohio and Arizona

Monday, January 27, 2020

What Makes Shakespeares Hamlet Popular?

What Makes Shakespeares Hamlet Popular? The Enduring Popularity of Shakespeares Hamlet Why is Hamlet so popular? Shakespeare wrote countless masterpieces, many of which are debatably more exciting (The Tempest), momentous (Macbeth), intriguing (Othello), romantic (Romeo and Juliet) and profound (King Lear). But not only has Hamlet been produced more by the Royal Shakespeare company than any other work, it is a favourite of troupes (and audiences) around the world. From the play’s inception in 1602, up until the National Theatre’s acclaimed production in 2000 (and beyond), Hamlet has captured the imagination. A close examination of the play, along with a careful focus on its themes, will shed some light on Hamlet’s 400 year old enthrall, with a special emphasis on its relevance to a modern British audience. Hamlet is a tale of revenge, murder and existential and spiritual angst. The title character is a young prince whose father, the King of Denmark, has unexpectedly passed away. His brother, Claudius, has inherited the throne and taken the former king’s wife as his own. Hamlet is visited by his father’s ghost, who informs him that he was murdered by Claudius, and that his death needs to be avenged. Instead of instantly doing so, Hamlet attempts to first confirm his uncle’s guilt by feigning madness, and later by staging a play of the murder, to which Claudius’ reaction essentially confirms his guilt. But even with the evidence in hand, Hamlet is still unable to enact his revenge. After accidentally killing the king’s councilor Polonius, he is deported to England, and upon his return enters into a duel with Polonius’ son, Laertes. However, the fight is a setup; Laertes’s blade is poisoned, as is the wine in a goblet from which Hamlet is t o drink. While Hamlet wins the duel and ends up killing Claudius, he too succumbs to the poison and dies. In the play, Hamlet is by far the major presence: his problem is central to the plot, and his public and private exultations and speculations dominate the action (Hoy, 1991). Furthermore, the role of Hamlet is far larger than any other in all of Shakespeare’s works. While the play is filled with ambiguities, the biggest of all have to do with Hamlet’s motivations and actions (Levin, 1959). There is always more to him than the other characters in the play can figure out. Part of this has to do with the way Shakespeare crafted him – his intense pensiveness, his uncertainness, the vagaries of his actions – but part of it is Hamlet himself, who actually tells other characters that there is more to him than meets the eye, notably his mother and Rosencrantz and Guildenstern. In addition, when he speaks, he sounds as if there’s something important he’s not saying, maybe something even he is not aware of (Hoy, 1991). What separates Hamlet from other revenge plays is that the action we expect to see is continually postponed (Wilson, 1951). Instead of being based on activity, the play is all about character, and really only the character of Hamlet. Many people regard Hamlet as a play about indecisiveness, but more than this, it can be seen as an examination of action itself; that is, the conditions necessary for such, and the appropriate amount required, depending on the circumstances. The question of how to act is affected not only by Hamlet’s need for certainty, but by emotional and psychological factors (Halliday, 1964). Hamlet himself appears to distrust the idea that it’s even possible to act in a controlled, rational way. For when he does act, he does so swiftly and recklessly. This extreme shift from paralysis to impulsiveness further adds to his enigmatic nature. Without action to sustain the play, the plot instead revolves around Hamlet contemplating various questions, among them: Is the ghost what it appears to be, or is it really trying to deceive him? How can the facts about a crime be known without there being any witnesses? Can Hamlet know the intricacies of Claudius’s soul by studying his behaviour? Can we ever really know whether our actions will have the consequences we want them to have? Can we know what happens in the afterlife? (Levin, 1959). This last question is one of the most powerful throughout the play. There are times when Hamlet seems to feel that death itself may bring the answers to his deepest concerns (Wilson, 1951). The question of his own death plagues him, and he more than once contemplates whether or not suicide is a legitimate choice in an unbearably painful world. Hamlet’s grief is such that he frequently longs for death to end his suffering, but worries that if he commits suicide, he will be suffer eternally in hell. In his famous â€Å"To be or not to be† soliloquy, Hamlet concludes that no one would choose to endure the pain of life if they were not afraid of what will come after death, and that it is this fear which causes morality to interfere with action (Levin, 1959). In sum, Hamlet, is ambiguous, vague and mysterious, uncertain, indecisive and pensive, self-loathing and self-reflexive, simultaneously afraid to live and afraid to die. Is it any wonder then that people can relate to him? People enjoy Hamlet because he evokes their sympathy. His character is flesh and blood. He doesn’t just act; he thinks, he questions, he feels. Hamlet is extremely philosophical and contemplative, and takes the time to analyze difficult questions that cannot be answered with any certainty. His melancholy is in many ways endearing. Though his actual age is debatable, in essence he is the quintessential teenager, afraid to grow up and take on burdens and responsibility he knows he must and yet is not ready for. His urgency is contagious. Beyond this, there are the questions he deals with, primarily those of death and the afterlife, that haunt us all. It is extremely rare to not only hear such questions so well articulated, but to hear them articulated at all. These conversations are largely relegated to our own heads. They are intimate and personal, and are seldom expressed. To see them on stage is to bear witness to our own souls. But this only explains why the character of Hamlet is so popular. Though he dominates the course of the action (or lack thereof), there is another reason why the play itself has been so successful and so resonant, which has to do with the famous line: â€Å"Something is rotten in the state of Denmark† (Hamlet, I, iv, 90). Everything is related in Hamlet, including the health of the ruling royal family and that of the nation as a whole (Hoy, 1991). Throughout the play, there are explicit connections drawn between the two. Denmark is often described as a physical body made ill by the moral corruption of Claudius. While the dead King Hamlet is portrayed as a strong, noble ruler under whose guard the state was in good health, Claudius, is regarded as wicked, corrupt and out to satisfy only his own appetites (Wilson, 1951). Throughout history, similar correlations have been made, from Stalin and Hitler to Blair and Bush. While the latter pair are perhaps far less sinister, their po litical decisions have similarly shaped the perceptions of the citizens of the nations they lead, as well as the perceptions of those on the outside. Our leaders are responsible for the overall â€Å"health† of the state, and the war in Iraq and other actions are doing little at the moment to paint a picture of good health. Close observers of Hamlet, no matter of what time period, sense this parallel instantly. Modern society, specifically the UK, is still in Hamlet’s thrall. In today’s world, with so many problems and too few solutions, it is easy to feel powerless and paralyzed. There are choices to be made, and actions to take, but 1) which ones should be carried out and 2) will they even do any good? The modern person is at a crossroads, and in some ways Hamlet personifies this better than anyone else. Throw in the play’s description of the state as being deceased, and the work comes across almost as the poster child for modern malaise. This is evidenced in the 2000 production by the National Theatre, which is only one of many recent and successful incarnations of the play. The title role was played by Russell Beale, who prepared for the part by looking into himself in an attempt to bring out the â€Å"everyman quality† of Hamlet, along with his intense self-reflection and (albeit feigned) madness. To do justice to Shakespeare’s words, in this case gra vitating between wit, wryness and self-reflection, Beale decided not to force emotion, but to instead â€Å"get there slowly, to get the emotional arc right, and not find too many moments of crisis† (Beale, 2000). The actor, in perhaps a bit of method, decided to try and capture Hamlet’s grief by using his own, in this case the fact that his mother died a few weeks before the performance. He also used his frustration over â€Å"not being able to feel enough† to further cement and perfect his interpretation (Beale, 2000). By all accounts he didn’t disappoint. The Independent declared Beale’s Hamlet â€Å"not at all ‘Hamlet-like,’ and his performance â€Å"moving and crystal clear,† characterized by â€Å"an aching regret for the world that might have been rather than a seething contempt for the world that exists† (Taylor, 2000). When Hamlet returned from England, the reviewer found him emanating a â€Å"shyly gracious acceptance of the mystery of life and fate,† and in dying â€Å"moved towards the audience as if painfully and belatedly conscious of their presence, imparting an even more shattering sense of the waste of a noble life† (Taylor, 2000). The Evening Standard wrote that the performances illuminated the text in ways that made it fresh and accessible, and Beale’s performance of â€Å"clarity, humanity and humility held the audience spellbound†¦they could only suffer with his confusion, grief self-loathing and doubt† (de Jongh, 2000). The Guardian complimented Beale for being â€Å"everything one could hope for: witty, ironic, intelligent, ‘a Henry James who is also a swordsman’ to borrow Harold Bloom’s phrase,† and: â€Å"bookish, inward, reflective and intensely capable of self-scrutiny† (Billington, 2000). Furthermore, the paper admired his â€Å"capacity for surprise, moral sensitivity and parodic wit† and his ability to convey â€Å"the paralysis of the intellectual caught up in a world of realpolitik,† resulting in a â€Å"first-rate, deeply intellectual Hamlet whose weapons are primarily verbal and who understands that revenge cannot offer meaningful redress† (Billington, 2000). In the National Theatre’s production, along with countless others over four centuries, a central theme is constantly repeated: Hamlet’s self-loathing, specifically in regards to his lack of feeling, which, as much as his lack of action, makes him guilty. This aspect of his character is perhaps more relevant today than ever. The theme of powerlessness, along with the tangible frustration and guilt that comes with it, can easily find a home in the mind of a modern audience member. In addition, Hamlet’s intensely relatable â€Å"human all too human† qualities, his probing thoughts on the afterlife and the theme of the â€Å"nation as diseased body† are so universal and timeless that they shed much light on the play’s appeal. Perhaps there will come by a day when Hamlet fails to strike a chord with audiences. But for now, Shakespeare’s masterful creation and revolutionary character study is safely ingrained in our consciousness. Bibliography Beale, Russell. The Readiness is All. National Theatre, 2000. http://www.nationaltheatre.org.uk/?lid=2485 Billington, Michael. The Guardian, September 6, 2000. Crystal, David, and Crystal, Ben. The Shakespeare Miscellany. Penguin: New York, 2005. de Jongh, Nicholas. The Evening Standard, September 6, 2000. Halliday, F. E. A Shakespeare Companion 1564-1964. New York: Penguin, 1964. Hoy, Cyrus. Hamlet: An Authoritative Text, Intellectual Backgrounds, Extracts from the Sources, Essays in Criticism. New York: W. W. Norton and Company, 1991. Levin, Harry. The Question of Hamlet. New York: Oxford University Press, 1959. Shakespeare, William. Hamlet. Braunmuller, A.R., Orgel, Stephen (Eds.). New York: Penguin Classics, 2001. Taylor, Paul. The Independent, September 6, 2000. Wilson, John. What Happens in Hamlet. New York: Cambridge University Press, 1951.

Sunday, January 19, 2020

A job or profession Essay

There are six domains in the content model starting with† worker characteristics† which talks about the abilities, enduring attributes of the individual that influence performance, also the occupational interest, the preference of work environments and also work values and work styles what is more important to you at work and how exactly you enjoy and feel more comfortable doing your job. â€Å"Worker requirements† which involves basic skill and cross-functional skill, basic skills are skill you already should know, and cross- functional are skills you tend to learn from moving from job to job. Knowledge and education are also needed in worker requirements knowledge is what you know of the job and education is any prior knowledge you already had coming in. â€Å"Experience requirements† involves experience and training, licensing and basic and cross- functional skills, which is everything needed for you to get started on the right track with your job, basic and functional skills to help you in your everyday life and also in your work environment, also licensing and training are requirements because jobs need to know that you are legit and know what you are doing. â€Å"Occupation specific information† also involves tools to help with your job and also technology as in machinery equipment, things to make your job a less of a hassle. â€Å"Workforce characteristics†, variables that define and describe the general characteristics of occupations that may influence occupational requirements. â€Å"Occupational requirements† a comprehensive set of variables or detailed elements that describe what various occupations require. There are many careers in career cluster but there is one that really interests me which is teaching the reason for this is because teaching has always been a dream of mine simply because I would love to influence a child’s life in a good way. For good teachers, teaching is a vocation rather than a job something they can’t refuse. Teaching is a call to service; a way to change the world. There’s so much potential in a classroom. Teaching is the profession that makes all other professions possible. There are a lot of great reasons to teach and none of them are better than the others. The reasons why you want to teach depend on your personality and beliefs. Some teachers want to make a difference and some people love working with children or adolescence and some people want to make a big contribution to society. As long as you’re intentions are good and you’re not going into teaching for the wrong reasons, you should pursue your passion and desire to become the teacher with all the right reason .You could be that teacher that influence a kid to be anything from a hero to the president of the united states because lets be totally honest kids look up to teachers and you setting a good example could do so much for children . Teachers do more than make a small difference, they touch their students’ lives forever. I want to teach because I want to make a difference in the world. A lot of teachers want to teach because they have the power to do good things for their students. Students do more than learn academic things from teachers, they learn about morals and ethics, they learn about confidence and self-esteem, and they learn what having someone who cares about them is like. I want to teach because students deserve a teacher who really cares about them and wants them to do their best. A lot of people want to teach because of the rewards that come with teaching like pay and vacations. I want to teach because I love working with students and being a part of their lives. I care about the youth of the world, and I want to help them learn and prosper in any way I can. I also want to teach because I honestly can’t see myself doing anything else with my life than teaching. As reported in yahoo the salary for teachers in Texas can vary on location, experience and whether or not they have a master’s degree. In Lubbock, teachers employed by the Lubbock Independent School District in 2011 earn a starting salary of $37,750 if they have a bachelor’s degree. If they have a master’s degree, their salary begins at $39,250. An LISD teacher with 20 years of experience, but only a bachelor’s degree, will earn $48,635 per year, this is how much I could expect to earn. Another job I have always been interested in is being a personal trainer simply because you get to motivate and help people get physically fit. Some reasons may be to help people become healthier or let athletes maximize their performances; other reasons may include sharing with others the gift of health or it could be that you just like hanging around the gym and want to make some money in the process. There is no â€Å"wrong† reason, just as there is no single â€Å"right† way to train people. I feel the best part about being a personal trainer is having the opportunity to transform not only my client’s body, but their mind as well. Being a personal trainer means being there for my client through the good and the bad, answering emails and being on-call if a client has questions from muscle soreness to protein powder. I chose this profession merely on the basis of having a healthy physique, to train people and inspire them to be aware of health and not only that but to have a great body too has been something I would love to teach. When you market yourself to potential clients, you subtly make them a promise that you’ll get them looking and feeling how they’ve always dreamed of. Some of them expect you to hand them results, barely making an effort in the gym, my job is to push them to the limits and make them earn their results. These results are all the right reasons to pick this profession. Salary for a trainer is ranging from 20-100 dollars a hour per person. One main job I would love to be is a doctor I just wish I would be smart enough to peruse that career. Becoming a doctor is no easy task. Just getting into medical school is a daunting task let alone the amount of studying, time spent in residency and the grueling hours one spends training. I personally have many reasons why I want to become a doctor. Yes my first answer is I want to help people, and yes it is true that you can help people in many ways but I think a doctor provides the most direct and critical type of help. I mean how many times have you been in pain and you’ve gone to see your doctor and after he’s treated you, you want to just get up and hug him. The healing power of a doctor is almost godly. I don’t think any other profession is more appreciated than a doctor because of that fact. We as humans seek help and relieve from pain and suffering when we are going through such a time and the most critical pain and suffering is physical pain and when that pain is relieved we are most grateful. This is why I would also enjoy being a doctor; there is no greater gift you can give. Annual salary of a doctor is, depending on the area in the U.S.A. the average yearly salary of a doctor is around $120,000-$160,000. What I have learned from these careers and what u has put into conclusion in my own mind is that no matter what career you are looking for, the annual salary will not make you happy, what will make you happy is how much you will enjoy the job. Enjoying your job is the main part of being happy in life; having a job you enjoy waking up to every day will make your life so much less complicated. Which is why I no longer look at the pay of jobs , but end up asking myself would I enjoy this?

Saturday, January 11, 2020

Cosmetic Dentistry

Cosmetic Dentistry This morning I woke up and looked in the mirror and noticed that my teeth were not as white as I like them to be. I think to myself, I need to call and make an appointment to get my teeth whitened with my dentist. Teeth whitening is an example of Cosmetic Dentistry. Cosmetic Dentistry is different than regular dentistry in the sense that regular dentistry deals with oral hygiene and the prevention, diagnosing and treating of any oral diseases. Cosmetic dentistry however focuses on improving a person’s teeth, smile, and mouth. General dentistry deals with what needs to be done whereas Cosmetic dentistry is what you desire to be done. Cosmetic dentistry takes a lot of extra time and special training on the materials used. So therefore only dentists who are truly passionate about improving the teeth and smile take the time and extra money to do it. Cosmetic dentistry can also be used to restore a cavity. This is because cavities are mostly fixed by digging out the debris and filling them with a material. There used to only be gold, amalgam and other dark materials that left visible spots on the teeth. Now they have things like porcelain that are closer of a match to your tooth color. This makes it cosmetic dentistry because of the tooth color match. People tend to use porcelain or composite in fillings that they get and they even have their present fillings filled with these resins. In this essay I will go into detail about three different treatments of Cosmetic dentistry. I will explain to you first about how to fix a chipped tooth with dental bonding. Then I will explain to you how to improve that not so beautiful smile to an extraordinary smile by the use of veneers. And last but definitely not least I will explain to you about teeth whitening and the great effects. So sit back and get ready to enjoy learning about three amazing things we have in this world to make us look and feel amazing. DENTAL BONDING Your riding your bike for a nice trail ride but its starting to get dark and you don’t notice the rock on the ground your about to hit. You Fly off your bike and hit your front teeth on the ground chipping both of your beautiful front teeth. How are you going to fix this? I have a solution. Dental bonding is a type of cosmetic dentistry that permanently attaches dental materials to the teeth by using adhesives and a special curing light. Dentists use tooth colored composite to restore chips or cracks. Also to fill cavities, close gaps between your teeth and repair worn down edges of your teeth. Dentists are the ones who do the direct composite bonding which means that the procedure is usually done in one dental visit. Dental bonding does not require any impressions or temporaries. First the dentist will place a plastic coating on the front of the teeth. Then they will place a bonding agent, colors it according to the color of your teeth, and shapes it. Then a light called the curing light is shined through the plastic that causes it to harden and makes the surface look shiny and polished. Then a thin layer of etch is placed on your teeth to make little fine holes in the enamel of your teeth. This is so the resin can stick to your teeth very well. Then many coats of composite resin are placed on your teeth and after each coat the curing light is used to harden that coat. Finally when the final cure is done, the tooth is sculpted to match the ones around it. The cost of dental bonding depends not only on the location, it can also depend on the bonding process and how small or big the procedure you had done was. The average cost of dental bonding is $300 to $600 dollars per tooth. Dental insurance sometimes covers the procedure depending on if it is used for structural purpose. Let’s say that you are a ex-smoker, and after 5 to 10 years of smoking your teeth are just not as white as you like them to be. An easy fix for your tooth discoloration are Veneers. Veneers commonly known as porcelain veneers are thin sheets (half a mm thick or about as thick as a fingernail) of tooth colored porcelain that cover the front and sides of your teeth. They are used to fixed severe discoloration, chips, and cracks. They are also to help fix the gaps in your teeth. The placement of veneers usually takes two appointments. At the first appointment your tooth is prepared. The dentist does this by removing a thin layer of the surface of your tooth (about 0. 5 mm) so that the veneer can fit on the tooth. Next a gingival retraction cord is placed so that the dentist can get a good impression. Then an impression is taken so that the Lab Tech can create your veneers. Since your teeth feel rough after this preparation, the dentist will usually place temporary veneers. If he doesn’t it is ok because they are not always needed. They are easier to stain while in this state though, so you should keep your teeth very clean. At the second appointment you will first have a try-on. The dentist will place a temporary bonding agent on your teeth and place the veneers on to see if the shape and color look good. If they do the dentist will then clean the veneers. A thin layer of acid etch is placed on the teeth to roughen the surface for a extra good hold. Then cement is placed on your teeth, followed by the veneer. Then the tooth is light cured and the cement dries and hardened within seconds. Finally the edges will be trimmed and the tooth will be polished. These veneers will provide you with a beautiful smile. Although veneers are amazing for smile improvement they are also a bit pricey. The type of veneers you get determines your price. Porcelain veneers are higher in price. They average at $925 to $2500 dollars per tooth but last for 15 to 20 years. Composite veneers average at about $250 to $1500 dollars per tooth, but only last 5 to 10 years. Dental insurance doesn’t cover veneers. TEETH WHiTENiNG If your teeth are looking yellow and you just want them white, you could get teeth whitening. Teeth whitening is the most common cosmetic dentistry procedure there is. There are many forms of teeth whitening. You could do an hour under a light in the dental office or use one of the at home teeth whitening kits or even over the counter whitening solutions. They all have effects though some work better or faster. In the office dental whitening procedure they start by first protecting your gums with a rubber dam. Then they apply a high concentrated peroxide gel. After applying the gel they put you under a light for 15-20 intervals for up to an hour but no longer than that. People with very high amounts of staining may have to return for a second time. The average cost for an in office whitening is $650 dollars. The at home whitening that the dentist may send you home with a lower concentrated peroxide gel that is placed in a custom tray that fits your teeth. It is left on for an hour at least but sometimes the dentist will tell you to leave it on overnight. It has the greatest effects but takes longer to achieve the whiteness you want. The average cost of the professional take home kits average at $100 to $400 dollars. The last kind of teeth whitening I am going to tell you about is over the counter whitening kits. These kits have the same kind of gel that the professional take home kits have but it is at a even lower concentration. They also have one size fits all trays, strips, or paint on gel. This may only whiten the anterior teeth because they are not custom fit trays. The average cost of over the counter whitening is $15 to $100 dollars. I have taken you through three amazing cosmetic dentistry procedures. Although they may be pricey they all have payment plans. So if you have a chipped tooth, remember there is dental bonding to fix it. Or if you have a smile that you want to add some beauty to that there are veneers. And the most popular of all if you have some yellow teeth you want to get rid of, there is teeth whitening you can turn to. Cosmetic dentistry is an amazing thing we have to improve your teeth and smile with.