Sunday, May 24, 2020

Avatars Message About Imperialism, Corporations, and the...

James Cameron’s Avatar has been hailed by movie critics as one of the greatest and most pivotal films of all time. A critic for the Detroit Times stated in his critique of the: â€Å"I have seen the future of films, and it is Avatar († Critics and audiences alike were entranced by the fast paced and intense science fiction film that was released during the Thanksgiving holiday in 2009. Many were marveled by the immense amount of detail, dedication, and creativity that it took to produce the movie: â€Å"Big money, big risk, pretty big reward. Thats been his consistent pattern, and its high time to give credit where credit is overdue: James Cameron delivers (†. Others were impressed by the technology used†¦show more content†¦The energy that Pandora’s natural environment gives off not only supports life but is also used a religious connection between the planet and its inhabitants, the Na’vi. Through the use of neural connectors found in their hair, the Na’vi are able to literally connect to plant and animal life. With this connection, the Na’vi are able to learn from nature which in turn shapes their harvesting and hunting practices. For the Na’vi culture, nature is not only a giver of shelter, food and wisdom but is also where they worship. The goddess Ewya is the patron goddess of the Na’vi culture and unlike other gods and goddesses her temple is a tree called the Tree of Souls. From the Tree of Souls, Ewya spreads the energy that is used to connect all the lives of the planet together and she protects the souls of those who have died. By connecting to the Tree of Souls the Na’vi people are able to communicate their hopes, fears, and desires to Ewya and send messages to loved ones that they have lost. In order to keep nature and human life in balance with each other, the Na’vi do not hunt in excess, they only take what they need, a nd they accept that death is a natural part of life. The Na’vi’s acceptance of death comes from their belief that all life returns to nature, to Ewya. William Wordsworth’s poem †Three years she grew† holds

Wednesday, May 13, 2020

Google Documents - Add ons for Math

For users that have harnessed the power of Google documents and a variety of tools that can be added to up the user experience,  here are some math tools you might find very useful. Calculator It is handy to have a calculator at your grasp for those times when you need to perform simple functions in the midst of a document. No need to bounce between windows or open a spreadsheet for this;  simply install a calculator from one of the many choices like the Calculator app from the Calculator Add on menu.  Handy and accurate - this works! Formula Editor Add this powerhouse to the sidebar of the document and you can type complex formulas for insertion with amazing ease. To quote the app: Formulas can be created either using the mathematics input box or by typing in their LaTeX representation. The result is then rendered as an image and inserted into your document. If you have ever tried to create formulas and their distinct format in a text document, you will appreciate a tool like this. Graphing Calculator Add-On (Such as Whizkids CAS) This add-on can: Solve equations and plot graphs.Find numerical and exact solutions.Simplify and factorize expressions with variables.Drag and drop results and graphs from the sidebar in Google Docs. Best of all, it does what it says it can do! g(Math) If you need the Quadratic formula, this is the tool to use. Complex equations, custom characters, and geometric signs can be used. You can link to data tables that are already in the document. Even the Speech to Math in Chrome can be accessed to create expressions. MathType   Sometimes all you need is the ability to form math ideas in the proper language and format. MathType can handle this fast and smoothly. This tool can also be used in the Google Sheets app so flexibility is at your fingertips.   As Google and the Google applications continue to gain acceptance in user circles, more and more innovative and useful math add-ons will arrive. Dont settle for less than what you need. Look around, as new solutions are coming every day​

Wednesday, May 6, 2020

A Construction of Test Bed for Spatially Integrated Online Surveying Free Essays

The gathering of public opinion and spatially associated information is an important and critical task for city and local government agents, in order to assess human resources, regional development planning, decision-making process and public facility management. Most local government decision-making processes require spatial distribution patterns of population and the associated information, especially in disaster management and emergency preparedness. Collaboration between residents and the local government is a key factor for effective administration process and regional development planning. We will write a custom essay sample on A Construction of Test Bed for Spatially Integrated Online Surveying or any similar topic only for you Order Now Current public surveying systems (either online or by regular mail or telephoning) merely collect information, and additionally skilled persons are required to convert these data into GIS (Geographical Information Systems), in order to visualize and analyze them for decision making processes. Here we are talking about implementing a Spatially Integrated Online Surveying System (SIOSS), which makes it possible to collect, integrate and analyze public survey data with spatially associated attribute information for the city and local government in a timely and cost effective way, under the collaborative GIS discipline. Study tools like ASP.NET, MS SQL Server and WebGIS will also be used to collect, store and share the spatially distributed objects and attributes in a time-efficient and cost effective way, (with little or no human intervention) for decision making processes. Introduction. With the increasing number of Earth observation satellite launching, and advances in communication and networking everyday, spatial information is more mobile and more widely used at various user levels (ranging from desktop expert users to mobile public users). In additional to offering educational resources in schools, students have the opportunity to think, explore and analyze the world they live in. On the other hand, technological improvement in computing and networking (such as Google Earth and Microsoft Virtual Earth) provides Internet home users with the opportunity to visualize the world either in a 2Dimensional or 3Dimensional view interactively. The growth of the Internet has been an explosive since inception, and this has lead to a great increase in the number of portable/mobile computing and communication devices such as notebook computers and mobile phones, in recent years. As manufacturers constantly improve on the features, and general capabilities of mobile devices, the Internet also continues to get bigger and to improve, even at a faster rate than these mobile devices. By utilizing all advances in Geographical Information Systems (GIS) for city and local government decision making processes, a Spatially Integrated Online Surveying System (SIOSS) can be implemented, which makes it possible to collect, integrate and analyze public information for the city and local government in a cost-effective and time efficient way, under the collaborative GIS discipline. Classical database management systems, especially the Relational Database Management System (RDBMS) can store, query and retrieve the information. However, RDBMSs are business-oriented applications, which manipulate large but simple data sets and are unable to manage geographical objects. Our identification with geography gives us a sense of place, so applying geographic concepts to public education and management is natural. Geography provides us with unique positions on the Earth’s surface, which can help in the study of resources. For example, the modeling of a landscape can give us valuable information about the ecosystem or historical setting of the landscape and help to visualize its future appearance, under various management strategies. These RDBMS applications are normally used in libraries, stores, reservation and so on. There have been considerable efforts to extend and adapt DBMS technology to spatial information systems, known as Spatial Database Management System or Geo-database, naming by ESRI. The following table compares the answers from common spatial information users between the classical public surveying DBMS (either online or offline) and the SIOSS system. How to cite A Construction of Test Bed for Spatially Integrated Online Surveying, Papers

Monday, May 4, 2020

Hamlet Quotes free essay sample

Hamlet quotes Frailty, thy name is woman! Hamlet; Hamlet is angry with his his mother for re marrying as quickly as a he did. He is saying that a woman changes her mind quickly . Thrift, thrift, Horopito! The funeral baled meats / Did coldly furnish forth the marriage tables. Hamlet; it was right after they buried his father that his mother married his u uncle. It happened in such a short time that Hamlet feels like the food from the funeral I could have been used for the wedding tables. Perhaps he loves you now, / But you must fear, / His greatness weighed, his will is not his own; /For he himself is subject to his birth: / He may not, as unvalued persons do, / Carve for himself; for on his choice depends / The safety and health of this whole state. Alerter; Hamlet is not allowed to make choices just for himself, he has to thin k of the kingdom since he is next to be king. We will write a custom essay sample on Hamlet Quotes or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Those friends thou hast, and their adoption tried, / Grapple them to thy soul with hoops of steel . Polonium; he is telling his son to hold onto the old friends he has made Neither a borrower nor a lender be; / For loan oft loses both itself and friend, / And borrowing dullest edge of husbandry.Polonium; he is telling his son to not borrow anything or lend anything because e borrowing can ruin your name and lending can ruin friendships. This above all: to thin own self be true, / And it must follow, as the night the day, / Thou cants not then be false to any man. Polonium; If you are true to yourself, you wont be false to anyone else. Murder most foul, as in the best it is; / But this most foul, strange, and unnatural. Dead King Hamlet; he is telling Hamlet that all murder is bad, but his was foul, strange, and unnatural because it was his brother who killed him in a sneaky ay. The serpent that did sting thy fathers life / Now wears his crown. Dead King Hamlet; The snake that took his life is now king, his brother . No reckoning made, but sent to my account / With all my imperfections on my head. Dead King Hamlet; he is telling his son he did not get to amend things with the e Lord before he does and now all of his mistakes are being held against him in the a afterlife . The time is out of joint: O cursed spite, / That ever I was born to set it right! Hamlet; he is cursing the day he was born because of all the things he is sup seed accomplish. .. Brevity is the soul of wit. Polonium; to speak well, you need to use as few words as possible but still be precise. For yourself, sir, should be as old as I am, if like a crab you could go back rd. Though this be madness, yet there is method in t. Polonium; he suspects that Hamlet isnt just mad that there is something else behind it . Polonium: My honored lord, will most humbly take my leave of you. Hamlet: You cannot, sir, take from me anything that I will more willingly part withal -? except my life -? except my life -? except my life. Polonium is saying that he will leave Hamlet alone, but Hamlet tells him that hi s presence will always be around and that the only thing that Polonium can take from him unwillingly is his life. For there is nothing either good or bad, but thinking makes it so. Over thinking can cause something to be bad or good The spirit that I have seen / May be the devil: and the devil hath power / T assume a pleasing shape. Hamlet; He starts to wonder if the devil took on the shape of his father so the devil could convince him to kill his uncle so he could have Hamlets soul.Ill have grounds / more relative than this: the plays the thing / Wherein Ill catch the conscience of the king. Hamlet; He plans on getting more proof to know if his uncle is guilty or not b y having his fathers real death acted out by players in front of his uncle. To be or not to be: that is the question: / Whether its nobler in the mind to suffer / The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles, / And by opposing end them? Hamlet; Hamlet is contemplating suicide here. He thinks if people were not so scared of what would happen afterwards, everyone would.Thus conscience does make cowards of us all.. .. Hamlet; the voices in our heads, the moral compass, can make a coward of eve err one. He is referring to the fact that he hasnt killed his uncle yet. The lady doth protest too much, methinks. Gertrude; the actor kept saying she wouldnt remarry. Gertrude feels guilty b cause she married so fast after her husbands death. .. Do you think I am easier to be played on than a pipe? Hamlet; Hamlet is speaking to his fake friends. He asked them if they could Pl ay a pipe and they replied no. He asked them this, meaning do you think you can fool ill speak daggers to her, but use none . Me? Hamlet; Hamlet is going to tell his mother what she needs to hear and it will p robbery hurt her, but he wont physically cause her harm. Why this is hire and salary, not revenge. Hamlet; Hamlet does not want to kill his uncle while he is praying because he will go to heaven instead of paying for his deed. Thou fiends to be too busy is some danger. Hamlet; Hamlet is calling Pillions noses since he was listening in on Hamlets conversation with his mom . That you do bend your eye on vacancy / And with the incorporeal air do hold discourse?Gertrude; she is telling Hamlet that there is nothing there; that he is taking to Lay not that flattering unction to your soul, / That not your trespass, but my madness speaks. Hamlet; He is telling his mother not to soothe her soul thinking he is crazy beck cause he is not and he is right But will delve one yard below their mines, / And blow them at the moon. Hamlet; he will be one step ahead of everyone and surprise them . When sorrows come, they come not single spies, / But in battalions. Claudia or Gertrude; sorrows do not happen one at a time. They are like a flee OTF solders that come all at once. Alas! Poor Hayrick I knew him, Horopito; a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kissed I know not how of t. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that w ere wont to set the table on a roar? Not one now, to mock your own grinning? Quite chaplet n? Now get you to my ladys chamber, and tell her, let her paint an inch thick, to this favor SSH e must come; make her laugh at that. Hamlet; Hamlet, seeing Works skull, is seeing death for what it really is. He no w realizes what happens after you die. .. Sits possible, a young maids wits / Should be as mortal as an old mans life? Alerter; is it possible that a young ladys mind can fade away like an old man who is dying? We defy augury; theres a special providence in the fall of a sparrow. If it be n owe, its not to come; if it be not to come, it will be now; if it be not now, yet it will come: the r tidiness is all. Hamlet; he is telling Horopito that it is up to God when it is someones time to g o. No matter what it will happen. Am justly killed in mine own treachery. Alerter; he knows he cheated and did a dishonorable thing and believes he d serves to die. But I do prophesy the election lights / On Formations: he has my dying voice. Hamlet; Hamlet knows what will come after he dies if he doesnt appoint some also knows Fortifiers is on his way in and tells Horopito to tell Fortifiers he is king. If thou didst ever hold me in thy heart, / Absent thee from felicity awhile, / And in this harsh world draw thy breath in pain, / To tell my story. Hamlet; Hamlet wants Horopito to tell what really happened to him.

Sunday, March 29, 2020

Research Paper on Non-Western Art Essay Example

Research Paper on Non-Western Art Essay Introduction Boundaries are swept away in the modern world, which slowly turns into a global village. People of art, who have always been lucky to live without boundaries inside of them can now enjoy the freedom of physical world. Such major changes on the word scene of art give a lot of opportunities for the non-western artists. Race, origin, color of the skin, age, sex and nationality of an artist plays no role any more. â€Å"A local hero bids his motherland farewell, is tapped into the latest communication technology, raises his voice loud enough and suddenly he is a world artist. The artist as nomad, someone who picks up ideas just as easily in New York and Cape Town as in Sao Paolo or Stockholmâ€Å" (Mackay). Unfortunately, such a freedom and new opportunities very often turn to be a fake and artists from non-western countries still have to put enormous efforts to get the recognition on the world art scene. Europe and North America put their hard requirements to the non-western artists, who want to present their art works in these countries. Here the artists face a difficult problem, which becomes a dilemma. It’s a conflict between their own identity and paying the tribute to the western world and globalization. Unique works of art do not pass sharp critics of western specialists and The Influence of Globalization on the Modern Art Globalization is the process that we can’t stop today; it’s rapidly spreading around the world. The phenomenon of globalization has both negative and positive sides and we can’t say exactly if it is good or bad. Just a few years ago we knew practically nothing about numerous artists from Africa or Asia nowadays we have a possibility to see their works of art and enjoy them. There works are really great and full of feelings and we can realize that just because we live in the epoch of globalization and the exchange of global information is a usual thing for us. We will write a custom essay sample on Research Paper on Non-Western Art specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Research Paper on Non-Western Art specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Research Paper on Non-Western Art specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The process of globalization is the modern phenomenon but its appearance is determined by a lot of historical phenomena, such economical growth, urbanization, appearance of informational technologies, changes in the process of thinking and so on. â€Å"We are witness not to a new phenomenon called Globalization, but to the triumph of old, global power relations: Francis Fukuyama’s end of history, coupled with the illusion of a new, porous metropolis† (Mackay). Western countries still know not very much about African and Asian artists who created their works in the year 1945 and earlier. A western person still can name minute amount of non-western artists even in the era of globalization. The majority of non-western artists that live and work in the West still don’t have equal rights with native artists. Those, who work in their native countries, find themselves even in more difficult situation. Even such talented artists as Ofili and Shonibare are considered as rather successful artists but all in all outsiders because of their color. These artists, by the way, are British according to their origin. We can easily remark that even the remotest connection to Africa or Asia make the talented artists outsiders in the West. Non-western artists don’t have equal opportunities in the West, Globalization creates differences when, in fact, there is no difference. That is the bad side of this phenomenon. Non-western artists have to adopt to western way of life, norms and regulations in order to create works of art, which would be understood by western audience. They have to balance between the effort to keep national identity and reflect their origin in their work s with the growing pressure created by the globalization and unification. Nowadays it’s correctly to speak separately about African or Asian arts as we always used to do regarding the European one. We should analyze art not taking into account its continental belonging. Work of art is a masterpiece, art isn’t a characteristic of a given country, it’s global notion without boundaries and limitations. At the same time every work of art shows the peculiarities of its countries and reflects national identity, same as the individual features, added by the author. These peculiarities show the national identity and beauty of the work rather than put the pictures in a range according to the country they were created in. â€Å"Much as one is involved in this seemingly inescapable labyrinth of a discourse, one is nevertheless certain that we would all benefit more were everything to devolve to the level of the artist and what it is they are contending with in their work irrespective of where their parents were born.† (Araeen) Today the qu estion of origin is a very important one because some people attack some artists who show their origin in the works and another group of people contends with artists who don’t because they are a herd. Here arises a question: is it necessary to show their identity for non-western artists or is it better to adapt to the so-called â€Å"western standards† and so come to the Western scene? It’s a very complex question and we can not give an exact answer. The only thing I’m absolutely sure in is that non-western artists have their own original world that is mysterious and not always understandable for Europeans and the world must be seen it in the works of art. Nowadays there is a trend in the West to consider African and Asian arts as just ethnic and that’s why they can’t take the same place as western ones till they don’t follow the formed standards. Such point of view is anesthetic, as non-western arts are as important and significant as the western ones. â€Å"Anesthetic† is â€Å"a loaded word that speaks to the variegated, multi-layered rules of the culture game, a great pun because the search for identity or the mark of ethnicity becomes an esthetic that inoculates–anaesthetizes–the art establishment in the West from dealing with those non-Western artists whose work would stand the rigors of the mainstream aesthetic.† (Araeen, 20) Non-Western Art and Globalization So-called western standard system of arts now tries to create principles according to which this or that art would be accepted in this system and it’s a real problem of standardization nowadays. Every work of art is unique, no standards can limit it. A work expresses inner world of an artist and it’s impossible to prescribe inner ideas and thoughts of the creator. It’s a real problem for the non-western artist to save his identity in the modern world of standards. From the other side non-western artists have to use ethnical marks in their works in order to correspond the requirements of the western audience and meet the requirement of â€Å"otherness†, showing the kind of art, which can’t be created by westerners. There is nothing wrong with the demand for ethical features in the works of artists. The problem arises when this demand becomes a â€Å"must† and the only pass for the non-western artists. Identity can be expressed in many ways, but Western audience perceive it only on the most primitive level and such an attitude can become a burden for the artists. SO-called western tradition dominates in the world art even in the age of globalization. In reality the term globalization in art stands very close to westernalization and non-western artists have to make a difficult choice if they want to enter the world market and compete with Western artists. They have to choose between the loosing identity by adopting western standards in art and getting the status of second class or arte povera artists, if they refuse. Digital revolution has changed the face of the world forever. The countries of the third world, separated by distance and informational barriers before can now make the decent part of the world community. New means of communication allow quick interaction among the people from different parts of the world and this gives an opportunity for changes in art. Hopefully, very soon not only western people will be defining the criteria of the world art and norms of generally accepted works. If the tendency to globalization develops and becomes more correspondent to its original meaning in contrast to adopting everything to western norms, non-western artists will have more chances for expressing their identities not like an exaggerated ethnic elements, which make the products more sellable, but will let them to express the depth of their national consciousness. Unfortunately, it’s not people, who make a demand for the works of art nowadays. The market does. The meaning and values of the artwork lies in its uniqueness and singularity, not generality. But the market pushes artists to generality, creating filters for the works, which will be sold. The public is deceived by the works with â€Å"false identity† and adopts false standards. As David Byrne states, â€Å"In my experience, the use of the term world music is a way of dismissing artists or their music as irrelevant to one’s own life. It’s a way of relegating this â€Å"thing† into the realm of something exotic and therefore cute, weird but safe, because exotica is beautiful but irrelevant†. (Byrne, 1999) The term popular art perfectly reflects the state of events in the modern world. There is nothing ban when an art becomes popular and reachable for the wide public. The problem arises when the world popular becomes synonym for low-quality and primitive entertainment. Art, which made people think and feel differently during the centuries uses its unique meaning at the age of globalization. â€Å"The artist is the one in charge of pulling the heavy human chariot forward and up†¦ if art runs away from its task, this void cannot be filled. For no other power can replace art†. (Kandinsky) During the centuries the function of art was to elevate people to its level but nowadays we can see a sad tendency when the art descends to the level of average people. And it’s a sad truth modern artists have to deal with. Western culture presents the pattern of success and prosperity and non-western people try to follow it. Same happens with the artists. Many non-western artists try to follow the success of their western comrades and forget about their origins and follow the patters alien to them. Homi Bhabba uses the term â€Å"the third space† when talking about the new generation of Chinese artists. To his mind, they represent a unique combination of the carriers of national culture who meet the requirement of the western world at the same time. These artists don’t belong to western tradition, same as they don’t belong to traditional Chinese art. They managed to find a fragile balance between their national identity as they put all their knowledge of history and tradition in what they do, with the new challenges created by globalization. â€Å"The third space is replacing a concept of identity based on the traditional opposition between East and West. The invention of the notion of the third space itself is a cultural strategy. In general, western artists don’t see art activities as a kind of strategy related to the question of cultural identity, while nonwestern artists living in the West necessarily face the challenge of seeking their own plac es there.† (Hanru, Minglu,1991) A lot of critiques and specialists also speak about the same notion, using different names for it. Fumio Nanjo speaks about the third way Japanese and other non-western artists should follow. Two roads mentioned earlier refer to canonical western art and national art reserved in old traditions. He suggests that: â€Å"Japanese, and non-Western artists in general, therefore have to avoid both roads, which becomes a vital issue for an artist’s identity. I believe that for some years now, we have been progressing in the direction where the identity of an artist no longer refers specifically to his or her nationality, and a future is upon us when an artist’s personality and work will be difficult to define.† (Nanjo) Conclusion So, non-western artists have to deal with a serious task – they have to join incompatible things and they find different ways to do that. There are artists who use their background and national identity as the source of inspiration, expressing it in a way, understandable for Western audience. There is another group who use their national belonging as an object of speculation, using national peculiarities in their works as the way to attract admirers of everything exotic.

Saturday, March 7, 2020

The Sports Card And Memorabilia Market Essays - Trading Cards

The Sports Card And Memorabilia Market Essays - Trading Cards The sports card and memorabilia market The sports card and memorabilia market is as lucrative as ever in our culture today. The number of sports card and memorabilia stores, however, has never recovered since the backlash of the late 1980?s and early 1990?s. My business plan is to open ED?S SPORTS CARD The store-front will cost $400 per month. The sports card market has a year-round appeal but also has fluctuations by month. The height of business is found in November and December (holiday time) as well as in March and April (when the baseball season gets underway). An advantage to this business is the extremely low amount of advertising money needed. By accessing the Internet (through a $2500 computer and $20 per month America OnLine service), a card and memorabilia store can have virtually all the advertising they can put on-line at no extra cost. A webpage (through a provider like GeoCities or Angelfire) is free and posting in Usenet groups or on AOL?s "Card Collector?s Corner" is also free. All you have to pay is the monthly service charge. An advantage of using the Internet for this business is the profit margin. It is not uncommon to find cards on the Internet selling for 10% to 40% of it?s actual value (i.e. a $100 card can be found for $10 to $40), or "pre-order" buys on upcoming products to be way below the market price (i.e. a $67 pre-order on a box that will sell for $110 wholesale). This enables the business owner to turn over inventory at a price that the consumer finds reasonable (under it?s "value") and the businessman finds profitable. Start-up costs are pretty low for this business also. I figured that I can start a business for under $8,000 and maintain it for about $1,500 a month. This includes showcases, the previously mentioned computer, inventory, rent, advertising, supplies, and utilities. The average daily expense for maintaining the store is under $50 a day. What I have not figured into the amount to start-up this business is a sign outside the store. Many baseball card shop owners have told me that their sign was free! This was done by contacting one of the major card companies (Topps, Fleer, Upper Deck, or Pinnacle) and placing their corporate logo on the sign. I have been ivolved in this industry as a collector since 1985. I have been a part-time dealer since 1995. An average month as a part-time dealer (8 card shows and on-line transactions throughout the month), results in about $2,000 worth of sales and $420 worth of expenses (8 card shows times $50 per show, plus $20 for America OnLine). If my store doubled this pace (which would be still be slow for a full-time card store), it would take a little over four months to break even and it would make over $23,000 in profit in it?s first year. The chart attached shows how this was figured. This business may not seem very profitable according to the figures I have provided, but these are low-end estimates. Many companies like L.J. Sands, Co. provide baseball card portfolios (like stock portfolios) for high-dollar investors. This involves finding cards of Hall of Fame caliber players that are undervalued and waiting for them to rise in value. A good example of this today is Ken Griffey Jr of the Seattle Mariners. His rookie card (1989 Upper Deck, card number 1) is valued at $70.00, in the past four years it has never been valued under $65.00, but as of April 25th he has 13 homeruns and is on pace to break Roger Maris? single-season record (61 in 1961). If this happens, the Griffey Jr card will soar to a new value. This will not be unprecedented. When Jose Canseco became the first player to hit 40 homeruns and steal 40 stolen bases in one season, his 1986 Donruss rookie card soared from $7 to $150, currently the card is available at $12. Two years ago, whe! n Cal Ripken Jr broke Lou Gehrig?s "Ironman" streak of 2,130 consecutive games his rookie card (1982 Topps Traded) went from $150 to $300.

Wednesday, February 19, 2020

Learning and development Essay Example | Topics and Well Written Essays - 3000 words

Learning and development - Essay Example Hence, it is of utmost significance for organizations in present times, to plan strategies for predicting such unforeseen situations and devise appropriate policies and frameworks to keep them at bay. One of the greatest challenges in this highly competitive global village is the management of knowledge. In order to implement effective policies for dealing with organizational pressures in this rapidly changing corporate world, it is essential for the management to educate their employees and equip them with adequate information so as to make them capable enough to take informed decisions which are in favor of the organization. "Learning Organizations" is an emerging concept in the field of knowledge management whereby organizations strive to enhance the employee skills by adopting a systematic approach to training and development which involves integration of theories, innovative practices and systematic assessments with a goal of knowledge enhancement for the benefit of the organization as a whole. This paper seeks to analyze, understand and discuss the importance and relevance of a systematic approach to learning and development in organizations and establish a link between theories and practice. It also strives to review the theoretical frameworks gathered from academic literature and observations made through empirical findings with a view to study organizational performance against the backdrop of implementation of systematic learning practices. Knowledge and learning are rapidly emerging as critical elements of organizational development. Several studies have focused on this aspect as a tool of improving organizational performance whereby the efficiency and ability of such an approach in enhancing organizational growth have been widely debated from different contexts. Adopting a systematic approach to learning and development in organizations implies challenging the predominantly bureaucratic epitome which has over ruled the